July 16, 2019Foreword Magazine Kuper’s hardcover opus Diario de Oaxaca, excerpted briefly in Wordless Worlds, is not as distant as it might…- July 16, 2019Fiction Book Review Kuper has long been among the most politically engaged and stylistically distinctive artists working in comics, and…
- July 16, 2019By Michael C LorahNewsarama A warning: this book missed Diamond's cutoff numbers, so you may have a hard time finding…
- July 16, 2019By Bruce JensenLibrary Journal In 2006, illustrator Kuper moved from New York to the impoverished but ethnically and historically rich…
- July 16, 2019By Ernesto AguilarPolitical Media ReviewOstensibly about the recent political strife in the Mexican state, Diario de Oaxaca will likely be…
- July 16, 2019By Geoff GossettWorld Literature in ReviewNov/Dec 2010 Since 1997, Peter Kuper has been the sole artist behind MAD Magazine’s Spy…
- July 16, 2019By Carlo WolffThe Boston GlobeJanuary 3, 2010 The origins of life, humans bent on logic, political strife, the little disturbances…
- July 16, 2019By Kevin McCloskeyCommonSense2 JournalApril 2010 As a kid, my favorite part of Mad Magazine was a miniature comic relegated to…
- July 16, 2019By Brian HeaterThe Daily Crosshatch A sketchbook is a secret thing, a collection of unfinished and often times abandoned ideas…
- July 16, 2019by Paul BuhleJewish Daily ForwardJune 3rd, 2013 This oversized, four-color 30-year compendium of comics, magazine illustrations, painting and sketchbook work…
- July 16, 2019The New York Comics & Picture-Story Symposium May 3rd, 2013 The New York Comics & Picture-Story Symposium is a weekly…
- July 16, 2019by Nicole BurtonAd AstraMay 18th, 2013“Clearly New York was a dangerous place where terrible things could happen, but also a…
