By Bruce Jensen
In 2006, illustrator Kuper moved from New York to the impoverished but ethnically and historically rich southern Mexican city of Oaxaca, bringing his wife and pre-teen daughter. The region was wracked by a massive teachers’ strike that made headlines worldwide, by the corruption of the state’s notorious governor, and by conflicts in the streets involving tens of thousands of protesters and troops—an interesting place for a politically minded artist to be. Kuper has done covers and other illustrations for a host of major topical publications including TIME, Newsweek, the Progressive, and the New York Times, and has for more than a decade drawn the “Spy vs. Spy” comic series for MAD Magazine. This is the appealing product of his two years in Mexico. Kuper’s diary entries, paired with a side-by-side translation into Spanish, help set the context for the 150-odd pages of paintings, sketches, cartoons, and collages that are the highlight of this book. Kuper’s offbeat eye and his MAD sensibility make for some striking images—comical ones, too, such as his Day of the Dead tribute to the Peanuts gang, which shows the skeletal dog Znupé digging through a boneyard while his Charlie Brown ruminates about death. Fans of comics and art lovers will appreciate Kuper’s unusual take on a remarkable place. Recommended for libraries, particularly those with graphic art and design collections, as well as general bookstores.
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