by Joanne McNeil Columns, Issues Apr 14, 2022 In 1968, Judith Merril and Kate Wilhelm planned to run an advertisement…
Review
‘The Clash: All the Albums, All the Songs’ on Psychobabble
Psychobabble May 2nd, 2022 That old “Only Band That Matters” sobriquet may sound a bit more pompous today than it…
Jewish Noir II: A Review
Heidi Slowinski 5 Star Review Jewish Noir II is a collection of twenty-four stories from a combination of Jewish and…
Radical Left-Wing Science Fiction
By Eve Ottenberg Counterpunch April 29th, 2022 Despite its boys’ club origins, science fiction long exhibited a leftist streak. Even…
Science Fiction in a Time of Crisis in Filmmaker Magazine
By Joanne McNeil Filmmaker Magazine April 14th, 2022 In 1968, Judith Merril and Kate Wilhelm planned to run an advertisement…
Dangerous Visions and New Worlds in Rain Taxi
By Paul Buhle Rain Taxi April 2022 About a half century ago, my grand aspiration was to become a Science…
Bicycle!— A Review in Seven Day Cyclist
Seven Day Cyclist Well, if the bicycle is to revolutionise society from the grass-roots up, “Bicycle!” will certainly keep the…
Dangerous Visions and New Worlds on The Newton Review of Books
By Michael Jongen The Newton Review of Books March 24th, 2022 Dangerous Visions and New Worlds explores how science fiction…
Witches, Witch-hunting, and Women in Random Length News
By Greggory Moore Random Length News March 18th, 2022 Ever since the early 1950s, when Arthur Miller used the 17th-century…
A Review of RUIN by Cara Hoffman
By Jon Frankel Green Mountains Review March 2022 “And I was silent, ecstatic in the cradle of real things.” —Retouch/Switch…