By Ben Marks
December 11th, 2014
Since 1979, World War 3 Illustrated has been a forum for those who chafed at the treacly bromides of Ronald Reagan, who heaved on the endless hypocrisy of religion, who were seriously cheesed at the presumption of male politicians to deny woman their reproductive rights, and who had nothing but contempt for the fearmongering that followed the tragedy of 9/11.
But in the hands of founders Seth Tobocman and Peter Kuper, along with an ever-changing roster of new and returning artists—from Eric Drooker, Sabrina Jones, and the late Spain Rodriguez, to Sue Coe, Art Spiegelman, Chuck Sperry, and Tom Tomorrow — World War 3 has been more than a vehicle for artists to vent their anger, although many of them have done that exceedingly well. More importantly, World War 3 has been a place to build a counter narrative to the pablum ladled into the trough we know as the mainstream media, a place where the most unflinching and searing critiques can bud and flower before blasting the corpulent ruling classes to smithereens.